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פרסומים

שנה
Their Taste, His Structure: Sound, Texture, Voice Leading, and Form in the Slow Movement of Bach’s *Italian Concerto*
Eytan Agmon, 2025
A Manual for One User: Review-Article of Dmitri Tymoczko, *Tonality: An Owner’s Manual* (OUP, 2023)
Eytan Agmon, 2024
"Aus Mozart gestohlen": Beethoven and *Die Entführung aus dem Serail*
Eytan Agmon, 2023
The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content
Eytan Agmon, 2020
Chopin and Beethoven’s "Moonlight"
Eytan Agmon, 2016
Chopin as an Interpreter of Mozart: The Variations Opus 2 and *Don Giovanni*
Eytan Agmon, 2015
Proto-Tonal Theory: Tapping into 9th-Century Insights
Eytan Agmon, 2013
The Languages of Western Tonality
Eytan Agmon, 2013
Pitches (Pitch Classes) and Their Intervals are (Sets of) Numbers
Eytan Agmon, 2009
Reply to Erkki Huovinen
Eytan Agmon, 2006
Review of Erkki Huovinen, *Pitch-Class Constellations: Studies in the Perception of Tonal Centricity*
Eytan Agmon, 2004
The Multiplicative Norm and its Implications for Set-Class Theory
Eytan Agmon, 2002
The First Movement of Beethoven’s Cello Sonata, Op. 69: The Opening Solo as a Structural and Motivic Source
Eytan Agmon, 1998
"Octave Equivalence" versus "Octave Relatedness": Circle versus Helix; Chord versus Melody
Eytan Agmon, 1997
The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord
Eytan Agmon, 1997
Coherent Tone-Systems: A Study in the Theory of Diatonicism
Eytan Agmon, 1996