Publications
2025
Cohen, S., Barbier , M., & Risigari-Gai Lopez, J. (2025). Fragments of the Flood: For Trombone, Harp and Electronics [Performance]. Performance
Cohen, S. (2025). Around The Point: For Acoustic Piano with Mechanical Microtonal add-on [score]. Composition
Cohen, S. (2025). Don't Lose Focus (My Electronic Psychiatrist): A Flute and Saxophone Dialogue with a 'Computerized System' (ChatGPT - AI) [score]. Performance, Israel Music Center.
Cohen, S. (2025). Fragments of the Flood: For Trombone, Harp and Electronics [score]. Performance, Israel Music Institute (IMI).
Cohen, S., Abel, A., Tamas, S., & Cohen, S. (2025). Don't Lose Focus (My Electronic Psychiatrist): A Flute and Saxophone Dialogue with a 'Computerized System' (ChatGPT - AI) [performance]. Performance
Cohen, S., & Yitzhaki, O. (2025). Around The Point: For Acoustic Piano with Mechanical Microtonal add-on [performance]. Performance
2024
Cohen, S., Cohen, S., Tal, B., & Tel-Aviv Soloist Orchestra (2024). A Living Face is not Enough to Photograph With Words: For a String Quartet, String Orchestra and Fixed Media [performance]. Performance
Cohen, S. (2024). A Living Face is not Enough to Photograph With Words: For a String Quartet, String Orchestra and Fixed Media [score]. Composition
Cohen, S., Cohen, S., Sloane, S., & Meitar Ensemble (2024). The People of the Black Circle - Death Strikes a King: For Ensemble and Electronics [performance]. Performance
Cohen, S. (2024). Improbable Melodies: For Flute and Computer [score]. Composition
Azaryahu, L., Broza, O., Cohen, S., Hershkovitz, S., & Adi-Japha, E. (2024). Development of creative thinking via fractions and rhythm. Thinking Skills and Creativity, 52, Article 101514. https://doi.org/10.1016/j.tsc.2024.101514
Cohen, S., & Alvaro García , D. Z. (2024). Remain Calm: For Soprano, Flute and Electronics [score]. Composition
Cohen, S., Cohen, S., & Alvaro García , D. Z. (2024). Remain Calm: For Soprano, Flute and Electronics [performance]. Performance
Cohen, S. (2024). The People of the Black Circle - Death Strikes a King: For Ensemble and Electronics [score]. Composition
Cohen, S. (2024). The Myth of Trombonipus: For Jazz Trombone, Ensemble and Electronics [score]. Composition
Cohen, S. (2024). ALEA IACTA EST: For Alto Sax, Electric Guitar and Cello [score]. Composition, Israel Music Center.
Cohen, S., Cohen, S., Weinstein, D., Lev, N., & James, M. (2024). ALEA IACTA EST: For Alto Sax, Electric Guitar and Cello [performance]. Performance
2023
Cohen, S. (2023). Points of Convergence: For Upright Bass and Electronics [score]. Composition
Azaryahu, L., Broza, O., Cohen, S., Hershkovitz, S., & Adi-Japha, E. (2023). Development of creative thinking patterns via math and music. Thinking Skills and Creativity, 47, Article 101196. https://doi.org/10.1016/j.tsc.2022.101196
Cohen, S. (2023). Is P=NP: For Voice, Vibraphone, and Tibetan Singing Bowls [score]. Composition
Cohen, S., & Mezzacappa, L. (2023). Points of Convergence: For Upright Bass and Electronics [performance]. Performance
Gordon, I., Gilboa-Schechtman, E., Gilboa, A., Cohen, S., & Kivity, Y. (2023). Catching That Playful Beat: Social Anxiety and Synchronous Group Functioning. Journal of Nonverbal Behavior, 47(4), 449-470. https://doi.org/10.1007/s10919-023-00436-7
Cohen, S., & Geizhals, O. (2023). Is P=NP: For Voice, Vibraphone, and Tibetan Singing Bowls [performance]. Performance
Greenberg, D. M., Milstein, N., Gilboa, A., Cohen, S., Haimovich, N., Siegman, S., Pinhasi, S., & Gordon, I. (2023). Improvised herding: Mapping biobehavioral mechanisms that underlie group efficacy during improvised social interaction. Psychophysiology, 60(9), Article e14307. https://doi.org/10.1111/psyp.14307
Cohen, S., Azaryahu, L., Broza, O., Hershkovitz, S., & Adi-Japha, E. (2023). The Contribution of Technology to Understanding Shared Phenomena in Math and Music. International Journal for Technology in Mathematics Education, 30(4), 265-270. https://doi.org/10.1564/tme_v30.4.9
2022
Cohen, S. (2022). Spaces of Resonance: For Saxophone Quartet & electronics [score]. Composition
Cohen, S. (2022). Don't Lose Focus" (My Electronic Psychiatrist): For Flute & Sax [score]. Composition
Cohen, S. (2022). Tnudot: For Trumpet, Guitar, Vibraphone, and Bass [score]. Composition
Ornoy, E., & Cohen, S. (2022). Tool for a real-time automatic assessment of vocal proficiency. Journal of Music, Technology and Education, 14(1), 69-91. https://doi.org/10.1386/jmte_00034_1
Cohen, S., & Cohen, S. (2022). Don't Lose Focus" (My Electronic Psychiatrist): For Flute & Sax [studio recording]. Performance
Cohen, S., & Dickinson, E. (2022). I'm Nobody! Who Are You? For Voice, Ensemble, and Electronics [score]. Composition
Cohen, S., Moran Singers Ensemble, Yakerevitch, O., Karni, T., & Faran, N. (2022). The Four Elements: 4 Electronic Works Based on Fire, Water, Earth, and Air [performance]. Performance
Cohen, S. (2022). The Four Elements: 4 Electronic Works Based on Fire, Water, Earth, and Air [score]. Composition
Cohen, S. (2022). Traces of Disappearance: For violin and Cello [studio recording]. Performance
Dickinson, E., Cohen, S., Cohen, S., & Aronstein, E. (2022). I'm Nobody! Who Are You? For Voice, Ensemble, and Electronics [studio recording]. Performance
Cohen, S., & Cohen, S. (2022). Maqāmāt: For Oud, Cello and Contrabass [studio recording]. Performance
Cohen, S. (2022). Who Pulls the Strings? For Electric Guitar and String Quartet [studio recording]. Performance
כהן, ש. (2022). 'שזירה' (Entanglement) למנצח ומפה אינטראקטיבית. פעימות, 5, 149-157.
Cohen, S. (2022). Tnudot: For Trumpet, Guitar, Vibraphone, and Bass [studio recording]. Performance
Cohen, S. (2022). Manifesto: For Piano Trio [score]. Composition
Cohen, S., & Avidan, D. (2022). Go Down Go Up: For Flute, Fixed Media and Live Electronics [score]. Composition
Cohen, S., Avidan, D., Cohen, S., & Buzman, T. (2022). Go Down Go Up: For Flute, Fixed Media and Live Electronics [studio recording]. Performance
Ornoy, E., & Cohen, S. (2022). The effect of mindfulness meditation on the vocal proficiencies of music education students. Psychology of Music, 50(5), 1676-1695. https://doi.org/10.1177/03057356211062262
Cohen, S. (2022). Do Unconscious Thoughts Use Words? For Bass Clarinet, Trumpet, Trombone, and String Quartet [studio recording]. Performance
Cohen, S., & Cohen, S. (2022). Manifesto: For Piano Trio [studio recording]. Performance
Cohen, S. (2022). Maqāmāt: For Oud, Cello and Contrabass [score]. Composition
Cohen, S., & Cohen, S. (2022). Spaces of Resonance: For Saxophone Quartet & electronics [studio recording]. Performance
Cohen, S. (2022). Do Unconscious Thoughts Use Words? For Bass Clarinet, Trumpet, Trombone, and String Quartet [score]. Composition
Cohen, S. (2022). Traces of Disappearance: For violin and Cello [score]. Composition
2021
Cohen, S. (2021). Who Pulls the Strings: For Electric Guitar and String Quartet [score]. Composition
Cohen, S. (2021). Remez: For Trombone and Piano [score]. Composition
Cohen, S., Meitar Ensemble, & Franco, M. (2021). Secret Scripture: For Ensemble & Electronics [performance]. Performance
Ornoy, E., & Cohen, S. (2021). Back to the present: Assimilation of late 19th century performance features among currently active violinists. Journal of New Music Research, 50(5), 413-427. https://doi.org/10.1080/09298215.2022.2029496
Cohen, S. (2021). Secret Scripture: For Ensemble & Electronics [score]. Composition
Cohen, S., Freitas, T., Mirzomurodov, S., Albertus, G., Jordan, C., Klyce, M., Price, R., Gassama, F., Rumora, H., Terra, N., & Evans, G. (2021). Have You Taken Your Medication Today, Mr. Feldman? For Chamber Ensemble [performance]. Performance
Cohen, S., Cohen, S., & Katina , P. (2021). A Leap Into the Dark: For Accordion and Electronics [performance]. Performance
Cohen, S. (2021). A Leap Into the Dark: For Accordion and Electronics [score]. Composition
Cohen, S., Zamir, H., Gasimzade , H., & Cohen, S. (2021). Even the Most Unfounded Story Had to Be Made Up: For Clarinet, Piano and "Automata piano machine" [performance]. Performance
Cohen, S., Lev, N., & Mivos Quartet (2021). Who Pulls the Strings: For Electric Guitar and String Quartet [performance]. Performance
Cohen, S. (2021). ER=EPR: For French Horn and Live Electronics [score]. Composition, Israel Music Center.
Cohen, S. (2021). Entanglement: For Conductor and Interactive 2D Point Map [score]. Composition
Cohen, S. (2021). Even the Most Unfounded Story Had to Be Made Up: For Clarinet, Piano and "Automata piano machine" [score]. Composition
Cohen, S., & Cohen, S. (2021). ER=EPR: For French Horn and Live Electronics [performance]. Performance
Cohen, S., Apellaniz, C., & Faubel, J. V. (2021). Remez: For Trombone and Piano [performance]. Performance
Cohen, S. (2021). Have You Taken Your Medication Today, Mr. Feldman? For Chamber Ensemble [score]. Composition
Cohen, S., Timoshin, M., Landau, A., Ron, O., Geizhals, O., & Volkov, I. (2021). Entanglement: For Conductor and Interactive 2D Point Map [performance]. Performance
2020
Cohen, S. (2020). Takriv: For Chamber Ensemble [score]. Composition, Babelscores.
Cohen, S. (2020). Between the Two Ends of Silence: For Piano, Guitar, and Cello [studio recording]. Performance
Cohen, S., Karni, T., & Meitar Ensemble (2020). Odd kind of Sympathy: For Ensemble [performance]. Performance
Cohen, S. (2020). Between the Two Ends of Silence: For Piano, Guitar, and Cello [score]. Composition
Cohen, S. (2020). Takriv: For Flute, Percussion, Prepared Piano, Cello, and Contrabass [score]. Composition
Cohen, S., & Modern Art Orchestra (2020). Flatten the Curve: For Jazz Big Band [performance]. Performance
Gordon, I., Gilboa, A., Cohen, S., & Kleinfeld, T. (2020). The relationship between physiological synchrony and motion energy synchrony during a joint group drumming task. Physiology and Behavior, 224, Article 113074. https://doi.org/10.1016/j.physbeh.2020.113074
Cohen, S. (2020). Darkness: for cello, electric guitar, percussion and electronics [score]. Composition, Babelscores.
Cohen, S. (2020). Flatten the Curve: For Jazz Big Band [score]. Composition
Cohen, S. (2020). Kipa'on: For Piano and 8 Loudspeakers [studio recording]. Performance
Cohen, S. (2020). Kipa'on: For Piano and 8 Loudspeakers [score]. Composition
Cohen, S., Cohen, S., & Zori , N. (2020). Three Glances: For Viola Solo [performance]. Performance
Cohen, S. (2020). Three Glances: For Viola Solo [score]. Composition, Babelscores.
Cohen, S. (2020). Conversation with Cage [score]. Composition
Cohen, S. (2020). Odd kind of Sympathy: For Ensemble [score]. Composition
Cohen, S. (2020). Takriv: For Flute, Percussion, Prepared Piano, Cello, and Contrabass [studio recording]. Performance
Cohen, S., Lev, N., Canti, C., Oz, S., & Cohen, S. (2020). Conversation with Cage [performance]. Performance
Cohen, S. (2020). In the Midst of Devastation: For Cellist Duo and Gliding Binaural Beat [score]. Composition
Cohen, S., Cohen, S., Wilson , J., Weinstein, D., Geizhals, O., & Elkana, A. (2020). Darkness: for cello, electric guitar, percussion and electronics [performance]. Performance
Cohen, S. (2020). In the Midst of Devastation: For Cellist Duo and Gliding Binaural Beat [studio recording]. Performance
Gordon, I., Gilboa, A., Cohen, S., Milstein, N., Haimovich, N., Pinhasi, S., & Siegman, S. (2020). Physiological and Behavioral Synchrony Predict Group Cohesion and Performance. Scientific Reports, 10(1), Article 8484. https://doi.org/10.1038/s41598-020-65670-1
2019
Cohen, S., Cohen, S., Yazdani, A., & Ensemble for New Music Tallinn (2019). Noumenon: For Chamber Ensemble (for flute, bass clarinet, percussion, string trio, electric guitar) with Audiovisuals [performance]. Performance
Cohen, S. (2019). Noumenon: For Chamber Ensemble with Audiovisuals [score]. Composition, Israel Music Institute (IMI).
Cohen, S., Cohen, S., & Geizhals, O. (2019). 4 Lines: For Prepared Amplified Snare Drum and Fixed-Media Electronics [performance]. Performance
Cohen, S. (2019). Mechanical Expressiveness: For Flute & Alto Flute Head Joints and Live Electronics [score]. Composition, Babelscores.
Cohen, S. (2019). Epistola de Ignoto: For Amplified Ensemble and Fixed Media [score]. Composition, Babelscores.
Cohen, S. (2019). I Heard a Fly Buzz... When I Died: For Voice, Percussion, and Chamber Ensemble [score]. Composition, Israel Music Center.
Cohen, S. (2019). let vectors = {} [score]. Composition
Cohen, S., Raviv, R., Amar, T., & Ravikovitch, D. (2019). Signs: For Voice and Piano [performance]. Performance
Cohen, S., Cohen, S., & Bini, A. (2019). Mechanical Expressiveness: For Flute & Alto Flute Head Joints and Live Electronics [performance]. Performance
Cohen, S., & Cohen, S. (2019). let vectors = {} [performance]. Performance
Cohen, S., Geizhals, O., Aronstein, E., The Israel Contemporary Players, & Warynski, L. (2019). I Heard a Fly Buzz... When I Died: For Voice, Percussion, and Chamber Ensemble [performance]. Performance
Cohen, S., & Ravikovitch, D. (2019). Signs: For Voice and Piano [score]. Composition
Cohen, S. (2019). 4 Lines: For Prepared Amplified Snare Drum and Fixed-Media Electronics [score]. Composition, Babelscores.
Sandak, B., Cohen, S., Gilboa, A., & Harel, D. (2019). Computational elucidation of the effects induced by music making. PLoS ONE, 14(3), Article e0213247. https://doi.org/10.1371/journal.pone.0213247
Cohen, S. (2019). The Edge of Irrationality: For Electric Guitar and Drum Set [score]. Composition
Cohen, S., Lev, N., & Geizhals, O. (2019). The Edge of Irrationality: For Electric Guitar and Drum Set [performance]. Performance
Cohen, S. (2019). Chapter 01: For Accordion and Electronics [score]. Composition
Cohen, S., & Melichar , A. (2019). Chapter 01: For Accordion and Electronics [performance]. Performance
Cohen, S., Cohen, S., & Moitlis, O. (2019). I Saw a Rainbow in a Puddle: For Harp Solo and Electronics [performance]. Performance
Cohen, S. (2019). I Saw a Rainbow in a Puddle: For Harp Solo and Electronics [score]. Composition
Cohen, S., Cohen, S., & Ensemble Airborne Extended (2019). Epistola de Ignoto: For Amplified Ensemble and Fixed Media [performance]. Performance
2018
Ornoy, E., & Cohen, S. (2018). Analysis of contemporary violin recordings of 19th century repertoire: Identifying trends and impacts. Frontiers in Psychology, 9(NOV), Article 2233. https://doi.org/10.3389/fpsyg.2018.02233
Cohen, S., & Yodan, H. (2018). Parenthetically: For Piano and Live-Electronics [performance]. Performance
Cohen, S. (2018). Can You Hear Wooden Man? [score]. Composition
Cohen, S. (2018). I Heard The Old Men Say: For Flute, Clarinet, Violin, Cello, Percussion and Piano [score]. Composition
Cohen, S., & Zeniodi, Z. (2018). I Heard The Old Men Say: For Flute, Clarinet, Violin, Cello, Percussion and Piano [performance]. Performance
Cohen, S., & Ensemble Wiener Collage (2018). Pain Expands the Time: For Mezzo-Soprano and Chamber Ensemble [performance]. Performance
Cohen, S., Dolberg, A., Frenkel, E., Gotlibovich, Y., Amotz, R., Ezra, S., & Frenkel, E. (2018). Absence of Yesterday: For Flute, Clarinet, Cello and Piano & Fixed Media [performance]. Performance
Cohen, S., Cohen, S., Tal, J., & Carmel Quartet (2018). Seven Cadenzas: For String Quartet and Electronics [performance]. Performance
כהן, ש., תזמורת העתודה של הקונסרבטוריון הישראלי למוסיקה, & שחל, ה. (2018). Messages from... For Young Concert Band and Vibraphone [performance]. Performance
Cohen, S., & Alony, N. (2018). Ancient Scripts: Composition for Accordion and Electronics [performance]. Performance
כהן, ש. (2018). Messages from... For Young Concert Band and Vibraphone [score]. Composition
Cohen, S. (2018). Parenthetically: For Piano and Live-Electronics [score]. Composition
Cohen, S., & Ju Percussion Group (2018). Can You Hear Wooden Man? [performance]. Performance
כהן, ש. (2018). יצירתיות מוסיקלית הנובעת מדיסלקציה בקריאת תווים. בין המילים, 14.
Cohen, S. (2018). Ancient Scripts: Composition for Accordion and Electronics [score]. Composition
Cohen, S. (2018). Seven Cadenzas: For String Quartet and Electronics [score]. Composition, Israel Music Institute (IMI).
Cohen, S. (2018). Tefila: For Alto Sax and Live Electronics [score]. Composition
Cohen, S. (2018). Pain Expands the Time: For Mezzo-Soprano and Chamber Ensemble [score]. Composition, Israel Music Institute (IMI).
Cohen, S. (2018). Absence of Yesterday: For Flute, Clarinet, Cello and Piano & Fixed Media [score]. Composition, Babelscores.
כהן, ש. (2018). קומפוזיציה מוזיקלית ואלתור בזמן-אמת עם טכנולוגיה ניידת. In י. עשת-אלקלעי, א. בלאו, א. כספי, ש. אתגר, נ. גרי, י. קלמן, & ו. זילבר-ורוד (Eds.), האדם הלומד בעידן הטכנולוגי : ספר הכנס השלושה-עשר לחקר חדשנות וטכנולוגיות למידה ע"ש צ'ייס : שלישי-רביעי, ה-ו באדר תשע"ח, 21-20 בפברואר 2018 (Vol. 13 , pp. 214-219). האוניברסיטה הפתוחה.
2017
Cohen, S. (2017). Magic Spells and Ancient Rituals: For Violin Solo, Soundtrack and Live Electronics [score]. Composition
Cohen, S., & Yodan, H. (2017). Time Dilation: For Piano Solo [performance]. Performance
Cohen, S., & Tel-Aviv Saxophone Quartet (2017). Moment of Silence: For Saxophone Quartet and Tape [performance]. Performance
Cohen, S., & Bluwstein, R. (2017). Second Glance of Rows Already Written: For Mezzo-Soprano and Cello [score]. Composition
Cohen, S., Bluwstein, R., Kol, B., & Gotlibovich, Y. (2017). Second Glance of Rows Already Written: For Mezzo-Soprano and Cello [performance]. Performance
Cohen, S., Ensemble Moscheles, & Rezek, J. (2017). The Double: For Violin Solo, Strings and Tape [performance]. Performance
Cohen, S. (2017). Time Dilation: For Piano Solo [score]. Composition
Cohen, S., & Aharonov. , M. (2017). Magic Spells and Ancient Rituals: For Violin Solo, Soundtrack and Live Electronics [performance]. Performance
Cohen, S. (2017). The Double: For Violin Solo, Strings and Tape [score]. Composition
Cohen, S. (2017). Moment of Silence: For Saxophone Quartet and Tape [score]. Composition
2016
Cohen, S. (2016). Tachbir: For Piano Solo [score]. Composition, Israel Music Center.
Cohen, S. (2016). A Tale of Nature: For Solo Electric Guitar and Triggered-Tape [score]. Composition, Israel Music Center.
Cohen, S., & Blesing, A. (2016). A Tale of Nature: For Solo Electric Guitar and Triggered-Tape [performance]. Performance
Cohen, S. (2016). Disegno: For Flute and Chamber Ensemble [score]. Composition
Cohen, S. (2016). Encounters: Duet for Trumpet and Piano [score]. Composition, Israel Music Center.
Cohen, S., Subbotin, E., Poltavski, S., Suvorov , S., al Ashkar , B., & Cohen, S. (2016). A Butterfly Flaps its Wings: For String Trio, Arabic Ud and Live Electronics [performance]. Performance
Cohen, S., & Yissachar, O. (2016). Tachbir: For Piano Solo [performance]. Performance
Cohen, S. (2016). A Butterfly Flaps its Wings: For String Trio, Arabic Ud and Live Electronics [score]. Composition, Israel Music Center.
Cohen, S., Dolberg, A., Buzman, T., Meitar Ensemble, & Valade, P.-A. (2016). A Deafening Silence: For Chamber Orchestra [performance]. Performance
Cohen, S., Meltzer , Y., & Dolberg, A. (2016). Encounters: Duet for Trumpet and Piano [performance]. Performance
Cohen, S., Ensemble New Babylon, & Ferrándiz Carrillo, L. (2016). Disegno: For Flute and Chamber Ensemble [performance]. Performance
Cohen, S. (2016). Seven Flashes of Thoughts: Fantasia for Orchestra [score]. Composition, Israel Music Center.
Cohen, S., Tetsuji, H., & Vietnam National Symphony Orchestra (2016). Seven Flashes of Thoughts: Fantasia for Orchestra [performance]. Performance
Cohen, S. (2016). A Deafening Silence: For Chamber Orchestra [score]. Composition
2015
Cohen, S. (2015). Episode II: For Dance Never Performed (Version. II): For Amplified Cello, Soundtrack, and Live Electronics [score]. Composition
Cohen, S., Aharonov, M., Ensemble Meitar, & Valade, P.-A. (2015). Narrative Enigma: For Viola Solo and Ensemble [performance]. Performance
Cohen, S., Fischer , B., & Ensemble New Babylon (2015). Ma-Hod: For English Horn and Percussion Quartet [performance]. Performance
Cohen, S. (2015). Like a Mountain Stream: For Voice and Vibraphone [score]. Composition, Israel Music Center.
Cohen, S., & Hohti , M. (2015). Episode II: For Dance Never Performed (Version. II): For Amplified Cello, Soundtrack, and Live Electronics [performance]. Performance
Cohen, S. (2015). Narrative Enigma: For Viola Solo and Ensemble [score]. Composition
Cohen, S. (2015). Ma-Hod: For English Horn and Percussion Quartet [score]. Composition
Cohen, S., Geizhals, O., Aronstein, E., & Bluwstein, R. (2015). Like a Mountain Stream: For Voice and Vibraphone [performance]. Performance
2014
Cohen, S., & Hagmann, C. (2014). Variation on an Old Story: For Violin, Soundtrack and Live Electronics [performance]. Performance
Cohen, S. (2014). Apsis: For Piccolo, Baritone Sax and Tuba [score]. Composition, Israel Music Center.
Cohen, S., Wentland, E., & Geizhals, O. (2014). Parmenides' Dialogue: For Flute and Marimba [performance]. Performance
Cohen, S., Shiloah, E., Orbach, O., Haran, M., & Shaposhnik, A. (2014). Mipnej Mah: For Violin, Clarinet, Cello and Piano [performance]. Performance
Cohen, S. (2014). Variation on an Old Story: For Violin, Soundtrack and Live Electronics [score]. Composition
Cohen, S., Even, N., Roy, E., & MacKinnon, M. (2014). Apsis: For Piccolo, Baritone Sax and Tuba [performance]. Performance
Cohen, S. (2014). Parmenides' Dialogue: For Flute and Marimba [score]. Composition, Israel Music Center.
Cohen, S. (2014). Mipnej Mah: For Violin, Clarinet, Cello and Piano [score]. Composition
Cohen, S., Borges, J. L., Kol, B., & Cohen, S. (2014). I Have Outlived the Night: For Mezzo‐Soprano, Speech Synthesis Narrator, and Double Projectors [performance]. Performance
Cohen, S., & Borges, J. L. (2014). I Have Outlived the Night: For Mezzo‐Soprano, Speech Synthesis Narrator, and Double Projectors [score]. Composition
Cohen, S. (2014). Mistorin: For accordions [score]. Composition
2013
Cohen, S. (2013). pANIkA: For Ensemble and Electronics [score]. Composition
Cohen, S. (2013). Ragnarok: For Chamber Orchestra [score]. Composition
Cohen, S. (2013). Games, Songs and Dances: For String Quartet [score]. Composition, Israel Music Center.
Cohen, S., & Meitar Ensemble (2013). pANIkA: For Ensemble and Electronics [performance]. Performance
Cohen, S., Faran-Asia, H., Lavy, S., Tal, B., & Tel-Aviv Soloist Orchestra (2013). And the Echo Died Away: for string orchestra and vocals [performance] . Performance
Cohen, S. (2013). And the Echo Died Away: for string orchestra and vocals [score] . Composition
Cohen, S., & T'ang Quartet (2013). Games, Songs and Dances: For String Quartet [performance]. Performance
2012
Cohen, S., תזמורת הביג בנד של הוד השרון, & אגמון, ג. (2012). Shochenet Basade: For Big-Band, Ethnic Soloist Singer, Choir and Oud [performance]. Performance
Cohen, S. (2012). Boundaries: For Violin Solo and Real-time Graphics Control Sound Processing [score]. Composition, Israel Music Center.
Cohen, S. (2012). On Another Note: for Soprano Sax, Piano, Bass and Percussion [score]. Composition, Israel Music Center.
Cohen, S., & Rabikovich, D. (2012). Pride: For Piano and Voice [score] . Composition
Cohen, S., & Reeds & Mallets Ensemble (2012). On Another Note: for Soprano Sax, Piano, Bass and Percussion [performance]. Performance
Cohen, S. (2012). Shochenet Basade: For Big-Band, Ethnic Soloist Singer, Choir and Oud [score]. Composition, Israel Music Center.
Cohen, S., Rabikovich, D., Raviv, R., & Bat, E. (2012). Pride: For Piano and Voice [performance] . Performance
Cohen, S., & Eckstein, G. (2012). Boundaries: For Violin Solo and Real-time Graphics Control Sound Processing [performance]. Performance
2011
כהן, ש. (2011). מוסיקה ויצירה בסביבה ממוחשבת: Music and Creation in a Computerized Environment. האוניברסיטה הפתוחה.
Cohen, S., Shaposhnik, A., & Israel Philharmonic Quartet (2011). Second Message from Dmitri: For Piano and String Quartet [performance]. Performance
Cohen, S., Cardigan, A., Lawrance, A., O’Keefe, M., & Berridge, A. (2011). Circles of Time: For Trumpet and String Quartet [performance]. Performance
Cohen, S. (2011). Schizophrenia: For Alto Saxophone (or Flute) and Marimba [score]. Composition
Cohen, S., & Meitar Ensemble (2011). Liminal Experiences: For Ensemble and Tape [performance]. Performance
Cohen, S. (2011). Circles of Time: For Trumpet and String Quartet [score]. Composition, Israel Music Center.
Cohen, S., Hibsh, D., Juven-Gershon, T., & Shefi, O. (2011). Studying Mechanosensory Tiling in The Medicinal Leech. Journal of Molecular Neuroscience, 45(suppl. 1), S26-S26.
Cohen, S., Dubester, A., & Geizhals, O. (2011). Schizophrenia: For Alto Saxophone (or Flute) and Marimba [performance]. Performance
Cohen, S. (2011). Second Message from Dmitri: For Piano and String Quartet [score]. Composition
Cohen, S. (2011). Liminal Experiences: For Ensemble and Tape [score]. Composition, Israel Music Center.
Cohen, S., & Moitlis, O. (2011). Nuance: For Harp Solo and Interactive Electronics [performance]. Performance
Cohen, S. (2011). Nuance: For Harp Solo and Interactive Electronics [score]. Composition, Israel Music Center.
2010
Cohen, S. (2010). Captured: For Ensemble, Tape and Live Electronics [score] . Composition
Cohen, S., The Israel Contemporary Players, & Nagy, Z. (2010). Captured: For Ensemble, Tape and Live Electronics [performance] . Performance
2009
Cohen, S., Buder, C., & Schwarz, E. (2009). From Earth to Wind: For Solo Accordion and Narrator [performance]. Performance
Cohen, S. (2009). "DSCH": For Ensemble [score]. Composition, Israel Music Center.
Cohen, S., Lee, S., Kim, S.-L., & SNU Symphony Orchestra (2009). Echoes of Eternity: Fantasia for violin solo and orchestra [performance]. Performance
Cohen, S., Moscow Contemporary Music Ensemble, & Vinogradov, A. (2009). "DSCH": For Ensemble [performacne]. Performance, Israel Music Center.
2006
Cohen, S. (2006). Echoes of Eternity: Fantasia for violin solo and orchestra [score]. Composition, Israel Music Center.
2004
Cohen, S. (2004). From Earth to Wind: For Solo Accordion and Narrator [score]. Composition, Israel Music Center.