Musical Durations as Mathematical Intervals: Some Implications for the Theory and Analysis of Rhythm
Eytan Agmon, 1996
Coherent Tone-Systems: A Study in the Theory of Diatonicism
Eytan Agmon, 1996
Functional Harmony Revisited: A Prototype-Theoretic Approach
Eytan Agmon, 1995
Diatonicism and Farey Series
Eytan Agmon, 1995
Principles of Chord Progression
Eytan Agmon, 1994
Towards a Theory of Diatonic Intonation
Eytan Agmon, 1993
Tonicity and the Tritone: Beyond the Rarity Issue
Eytan Agmon, 1993
Communication (in response to Harald Krebs, “Tonal and Formal Dualism in Chopin’s Scherzo, Op. 31,” *Music Theory Spectrum* 13:1)
Eytan Agmon, 1992
A Moment of Suspense in the Second Finale of *Don Giovanni*
Eytan Agmon, 1991
Linear Transformations Between Cyclically Generated Chords
Eytan Agmon, 1991
Rhythmic Displacement in the Fugue of Brahms’s Handel Variations: The Refashioning of a Traditional Device
Eytan Agmon, 1991
Dramatic Content in the *Don-Giovanni* Overture
Eytan Agmon, 1990
Music Theory as Cognitive Science: Some Conceptual and Methodological Issues
Eytan Agmon, 1990
Equal Division of the Octave in a Scarlatti Sonata
Eytan Agmon, 1990
A Mathematical Model of the Diatonic System
Eytan Agmon, 1989
Music and Text in Schubert Songs: The Role of Enharmonic Equivalence
Eytan Agmon, 1987
