Publications

Title

Year

Min

Max

Their Taste, His Structure: Sound, Texture, Voice Leading, and Form in the Slow Movement of Bach’s *Italian Concerto*

Eytan Agmon, 2025

A Manual for One User: Review-Article of Dmitri Tymoczko, *Tonality: An Owner’s Manual* (OUP, 2023)

Eytan Agmon, 2024

"Aus Mozart gestohlen": Beethoven and *Die Entführung aus dem Serail*

Eytan Agmon, 2023

The Webern in Mozart: Systems of Chromatic Harmony and Their Twelve-Tone Content

Eytan Agmon, 2020

Chopin and Beethoven’s "Moonlight"

Eytan Agmon, 2016

Chopin as an Interpreter of Mozart: The Variations Opus 2 and *Don Giovanni*

Eytan Agmon, 2015

The Languages of Western Tonality

Eytan Agmon, 2013

Proto-Tonal Theory: Tapping into 9th-Century Insights

Eytan Agmon, 2013

Pitches (Pitch Classes) and Their Intervals are (Sets of) Numbers

Eytan Agmon, 2009

Reply to Erkki Huovinen

Eytan Agmon, 2006

Review of Erkki Huovinen, *Pitch-Class Constellations: Studies in the Perception of Tonal Centricity*

Eytan Agmon, 2004

The Multiplicative Norm and its Implications for Set-Class Theory

Eytan Agmon, 2002

The First Movement of Beethoven’s Cello Sonata, Op. 69: The Opening Solo as a Structural and Motivic Source

Eytan Agmon, 1998

The Bridges that Never Were: Schenker on the Contrapuntal Origin of the Triad and Seventh Chord

Eytan Agmon, 1997

"Octave Equivalence" versus "Octave Relatedness": Circle versus Helix; Chord versus Melody

Eytan Agmon, 1997

Beethoven’s Op. 81a and the Psychology of Loss

Eytan Agmon, 1996